A Hundred Seas Rising (2012)


100 Channel Sound Installation with school desks
40 mins

"Chan's erudite and insightful work poses pertinent questions and highlights the ironies and difficulties of revolutionary politics.”

Dr Marius Kwint, art historian, writer and senior lecturer at the University of Portsmouth


Inspired by Dickens’s novel, A Tale of Two Cities, A Hundred Seas Rising explores how literature might be implicated in the imagination and trajectories of revolutions.

The installation uses the sound of 100 individual voices as a sculptural material, re-imagining Dickens’s revolutionary mob sonically by creating surges of ideological thought that reverberate across the gallery space.

In the summer of 1957, the Hundred Flowers Movement in China invited a variety of views and solutions to national policy issues. The name of the movement originated from a poem: “Let a hundred flowers bloom; let a hundred schools of thought contend.” This movement was the first of its kind in the history of the People’s Republic of China in which the government opened up to ideological criticisms from the general public. The campaign grew in momentum, from expressions of minor issues of a few to increasingly large numbers of intellectuals voicing their radical ideas, including the overthrowing of the government. Six weeks into the campaign, threatened by the overwhelming criticisms of the people, Mao Tse-tung, ordered a halt to the campaign. The result of the Hundred Flowers campaign was the Anti-Rightist Movement in which ideas against the government were suppressed, leading to the loss of individual rights and persecution.

100 members of the public were invited to participate in the imagination of modern day revolutions. They were encouraged to describe the cause or structure they would like to transform, the motivating ideology for this change - including books that might have inspired their ideas, how they would mobilise others, the objectives of the revolution and how this would be achieved, i.e. through peaceful or violent means. The revolutions ranged from personal, social, cultural, philosophical, technological and political, covering subjects from housing, finance, debt, social welfare, education, animal rights and welfare, to the prison system.

The voice of each interviewee were recorded individually and each recording was assigned to one of the school desks, arranged in rows like a classroom environment. The voices represent a cross-section of views from different cultural and social backgrounds.

A Hundred Seas Rising is part of RELAY: Contemporary art in the South East of England commissioned in response to London 2012. A partnership project between: Aspex, Portsmouth; Space, Creative and Cultural Industries Faculty, University of Portsmouth; and Quay Arts, Newport, Isle of Wight. It is funded by TPSE (Turning Point South East), Arts Council England, Portsmouth City Council, University of Portsmouth and is part-funded by the European Union.

Publication

A Hundred Seas Rising Book Cover

Published to coincide with the tour of A Hundred Seas Rising. Richly illustrated with colour plates throughout. Commissioned essays by Marius Kwint and Jenny Walden.

Review

A Hundred Seas Rising

A Hundred Seas Rising, at Aspex Gallery, Portsmouth, Asian Art News review by Marius Kwint.

Works

Conscious image

CONSCIOUS, 2022

Fog in my head image

FOG IN MY HEAD, 2021

Hallucinations image

HALLUCINATIONS, 2020

Memory image

MEMORY, 2019

Lucida image

Lucida, 2017

Obscura image

Obscura, 2014

Still point image

Still Point, 2012

A Hundred Seas Rising image

A Hundred Seas Rising, 2012

Sleep Walk Sleep Talk image

Sleep Walk Sleep Talk, 2009

Interval 2 image

Interval II, 2008

Tomorrow image

Tomorrow Is Our Permanent Address, 2008

Interval image

Interval, 2007


© Suki Chan 2021